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What Germans Do Not Understand about America
One day after President Obama's State of the Union address, Philip D. Murphy, the US Ambassador to Germany, was at the American Academy to deliver a lively and wide-ranging lecture on "What Germans Do Not Understand about America." Americans are at root an optimistic people, Murphy noted, regardless of the nation's current economic condition. Most Americans, now as before, he said, feel that the future will be better than the past. »
Announcing the Spring 2012 Fellows
A festive January 17 evening welcomed the spring 2012 Berlin Prize Fellows to their semester on the Wannsee. Opening remarks were delivered by the United States Ambassador to Germany, Philip D. Murphy, and the welcoming talk by Klaus Reichert, honorary president of the Deutsche Akademie für Sprache und Dichtung, in Darmstadt. The American Academy in Berlin is proud to welcome the following scholars, writers, and artists to work on their respective projects at the Hans Arnhold Center over the coming five months: »
Voices in the Dream Palace: Dramatic Language in Pre-Code Movies
The films made during the half decade between 1929-1934 mark the triumph of the talking picture format, which began in 1927 with Al Jolson's Jazz Singer. Films of the early talkie era were the product of a culture ravaged by the Depression, a growing sense of liberated cynicism, and, most importantly for Geoffrey O'Brien, a Bosch Fellow at the Academy, an environment prior to the enforcement of the Production Code, a statute that regulated what could be said and seen on film. »
Kindness: A Novel in Progress
Prize-winning, bestselling author Adam Haslett (You Are Not A Stranger Here; Union Atlantic) is not yet finished with the novel he has been working on while at the Academy this fall as the Mary Ellen von der Heyden Fellow in Fiction. The title of his budding book, Kindness, reflects not only an overarching narrative theme, but as well the author's willingness to share a few tidbits with an anticipatory crowd. »
Memorial Mania!
Ten years after 9/11, and six years after the opening of the Holocaust Memorial Berlin, the American Academy in Berlin held a symposium to deliberate "the memorial" as a form of memory culture and as a site of clashing political strategies. Questions by a panel of distinguished experts included, Does a memorial heed our changing perceptions of “the event” over time, or does it dull our collective recollection? Should a memorial urge catharsis or categorically avoid normative reactions? »










