Professor of Comparative Media Studies
Massachusetts Institute of Technology
The Cultural Work of Algorithms

During his time at the Academy, Uricchio will continue to explore how algorithmic mediation is fundamentally changing numerous domains. Despite increasing debate over the rapid increase in areas where enormous quantities of aggregated data are stored and processed, we have yet to comprehend fully the significance of the unprecedented access to such data (by both commercial corporations and political administrations). Uricchio’s project addresses the need for systematic analysis of the algorithmic processes that make sense of that data, combining a historically grounded approach with a wider ambition to relate the “linkage between a mode of representation and an epistemic (and social) order.” The past few decades have seen the rise of new ways to represent and encounter the world, ways dependent on algorithmic interventions between the viewing subject and the object viewed. Algorithms, of course, can be put to many ends, and in this study Uricchio is particularly interested in algorithms as facilitators of large-scale human participation and collaboration in the media sector (Wikipedia, interactive documentaries, collaborative photo systems, story generators, search engines). Marking a clear distinction between the algorismic (calculable) and the algorithmic, he argues that the algorithmic now continuously mediates between the subject and object, thus complicating the object-subject binary. Writ large, these algorithmically enabled practices mark a radical departure from the project of the modern. Uricchio goes beyond how algorithmic practices enable or harvest mass participation to consider how they in fact intervene in and transform the subject-object relationship upon which “the modern” has been built.

Photo: Annette Hornischer

William Uricchio is Professor of Comparative Media Studies and Principle Investigator of the Open Documentary Lab and the Game Lab at the Massachusetts Institute of Technology. He is also Professor of Comparative Media History at Utrecht University and a fellow of the Institute for Advanced Study (Lichtenberg-Kolleg) at the Georg-August-Universität Göttingen.

 

Uricchio, who has held Humboldt, Guggenheim, and Fulbright fellowships, focuses on revisiting the histories of old media when they were new, algorithmic enablements of participatory cultural forms, the history and future of television, as well as cultural identities and the question of “Americanization” in the twentieth and twenty-first centuries. His publications include Reframing Culture: The Case of the Vitagraph Quality Films (Princeton, 2014), We Europeans? Media, Representations, Identities (Chicago/Intellect, 2008), and Media Cultures (Heidelberg, 2006). He is currently completing books on the deep history of television, on history-based games, and the playing of history and historiography after poststructuralism. For the British Film Institute he is editing a collection of essays entitled Many More Lives of the Batman.

Meet William Uricchio

A short portrait filmed at the Hans Arnhold Center, introducing the work and ideas behind fellows’ projects in Berlin.

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The Cultural Work of Algorithms

Holtzbrinck Fellow William Uricchio has sought to launch a critical discourse on the cultural importance of algorithms and their impact on present-day society.

13 Mar 2015

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Explore Past Fellows

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Marco Abel

Professor and Chair, Department of English, University of Nebraska at Lincoln

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Professor of Law, University of Miami School of Law, University of Miami

Michael J. Abramowitz

President, Freedom House
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