Lynne Cooke is a former senior curator of Modern and Contemporary Art at the National Gallery of Art. She holds a PhD from London University, an MA from the Courtauld Institute, and a BA from Melbourne University. Cooke joined the National Gallery in 2012 as Andrew W. Mellon Professor at the Center for Advanced Study in the Visual Arts, conducting research for Outliers and American Vanguard Art, an exhibition about the relationship between mainstream and self-taught artists in the United States from the early twentieth century to the present. She was previously deputy director and chief curator at the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain (2008–2012); curator at the Dia Art Foundation in New York (1991–2008); artistic director at the 10th Biennale of Sydney (1994–1996); co-curator of 1991 Carnegie International at the Carnegie Museum of Art in Pittsburgh; and lecturer in the history of art at University College, London University. She has also taught at Yale University, Malmö Art Academy, CCS, Bard College, and La Trobe University. In 2023, Cooke curated Woven Histories: Textiles and Modern Abstraction, which opened at LACMA in Los Angeles and then toured in North America. Among the numerous exhibitions she has organized are Cristina Iglesias: A Place of Reflection; Rosemarie Trockel: A Cosmos; Blinky Palermo: Retrospective 1964–1977; Francis Alÿs: Fabiola; Zoe Leonard: You See I Am Here After All; and Richard Serra Sculpture: Forty Years. Cooke has received numerous awards and has contributed to catalogues on artists including Alighiero Boetti, James Castle, James Coleman, Sonia Delaunay, Ann Hamilton, and Tacita Dean.
At the Academy, Cooke is conducting research for a curatorial project focused on the child and war; the project will culminate in an exhibition and a book. Cooke’s project spans a range of media —painting, sculpture, film, photography, and text — and may also encompass playgrounds, toys, and related material. The theme of warfare will be explored broadly, from multiple perspectives, beginning with WW II, and including national, international, civil, and more local conflicts. The subject of the child assumes diverse roles, as agent, victim, witness, symbol, and anticipated audience for the artwork. In Berlin, Cooke is researching various aspects of the 1960s and ’70s, when religious- and race-based conflicts and anti-war movements proliferated globally.

Meet Lynne Cooke
A short portrait filmed at the Hans Arnhold Center, introducing the work and ideas behind this semester in Berlin.
Upcoming events
Discover what’s coming up in the Academy’s public program this semester.
Past events
Lectures, readings, and conversations from the Academy’s public program.

Making Visible: The Art of Ceija Stojka
Stojka’s works are testaments to oppression and warnings to future generations
Berlin Journal Articles
Essays, interviews, and creative work published in the Academy’s annual magazine.
Books
Books written by fellows of the Academy, many begun during a semester in Berlin.
Videos
Lectures, readings, and conversations filmed at the Hans Arnhold Center.
Making Visible: The Art of Ceija Stojka
Stojka’s works are testaments to oppression and warnings to future generations
Fellow Spotlight: Lynne Cooke
Lynne Cooke is conducting research for a curatorial project on children and war.



