Heidi Julavits is an associate professor at Columbia University’s School of the Arts. She received her BA from Dartmouth College and MFA from Columbia University. Julavits is the author, most recently, of Directions to Myself (Hogarth, 2023), and The Folded Clock: A Diary (Doubleday, 2015), a New York Times Notable Book. She is also the author of four novels, including The Vanishers (Doubleday, 2012), winner of the PEN New England Fiction Award, and The Mineral Palace (Putnam, 2000), her first novel and a finalist for the Young Lions Literary Award. She is co-editor, with Sheila Heti and Leanne Shapton, of the bestselling Women in Clothes (Blue Rider 2014). Julavits’s short fiction and essays have appeared in the New Yorker, New York Times Magazine, Harper’s, McSweeney’s, and New York Magazine, among others, and have been anthologized in Best American Short Stories and Best American Travel Essays. Recipient of a 2007 Guggenheim fellowship, Julavits is a founding editor of The Believer.
“Altitude Sickness” is the third in a trilogy of nonfiction books in which Julavits attempts to redefine “memoir” as an act of personal, philosophical, and ideological investigation. The first book, The Folded Clock, concerned questions of time; the second, Directions to Myself, of disorientation. In “Altitude Sickness,” Julavits asks how humans interact with nature as land artists, tourists, educators, cultural critics, and adventurers. The book leans on several pillars: recently discovered neurological findings that a person’s life does, in fact, “flash before their eyes” thirty seconds before death; the joint suicide of an old couple on the Maine peninsula where she lives, and the letter they wrote to the local paper explaining their reasons; a compilation of American avalanche accidents called “The Snowy Torrents”; and, finally, she writes, “the parallels I can’t help but see with formerly stable facets of my natural world that are changing and vanishing before my eyes.” In “Altitude Sickness,” Julavits asks if people will develop more socially and legally acceptable ways to die, especially given the looming threat of human mass-extinction. Is it possible to determine what we will see during the end-of-life “flash,” and might new rituals emerge that the dying can arrange and attend?

Meet Heidi Julavits
A short portrait filmed at the Hans Arnhold Center, introducing the work and ideas behind fellows’ projects in Berlin.
Upcoming events
Discover what’s coming up in the Academy’s public program this semester.
Past events
Lectures, readings, and conversations from the Academy’s public program.

Heidi Julavits: Directions to Myself
Raising a child in a time of contradiction and moral complexity.

Altitude Sickness
Writer Heidi Julavits explores the quickly evolving end-of-life policies around the world.
Berlin Journal Articles
Essays, interviews, and creative work published in the Academy’s annual magazine.
Books
Books written by fellows of the Academy, many begun during a semester in Berlin.
Videos
Lectures, readings, and conversations filmed at the Hans Arnhold Center.
Altitude Sickness
Heidi Julavits discusses her recent nonfiction work, details a story about her obsession with the estate of a dead French actress, and shows her attempts at book publicity in the era of TikTok.
Fellow Spotlight: Heidi Julavits
Writer Heidi Julavits attempts to redefine memoir as an act of personal, philosophical, and ideological investigation.




