Cristina Rivera Garza is the M.D. Anderson Distinguished Professor and director of the Ph.D. program in creative writing in Spanish at the University of Houston. She studied urban sociology at the National Autonomous University of Mexico and received her PhD in Latin American history from the University of Houston. Rivera Garza is the author of six novels, three collections of short stories, five collections of poetry, and five works of creative nonfiction. Originally in Spanish, her works have been translated into multiple languages. The recipient of a MacArthur Award (2020), Roger Caillois Award for Latin American Literature (2013), and the Anna Seghers Prize (2005), she is the only author who has won the International Sor Juana Inés de la Cruz Prize twice—in 2001 for her novel Nadie me verá llorar (translated into English by Andrew Hurley as No One Will See Me Cry) and in 2009 for her novel La muerte me da. She has translated, from English into Spanish, Notes on Conceptualisms by Vanessa Place and Robert Fitterman; The Undercommons: Fugitive Planning and Black Study by Fred Moten and Stefano Harney; The Dead Girls Speak in Unison by Danielle Pafunda; and, from Spanish into English, “Nine Mexican Poets edited by Cristina Rivera Garza,” in New American Writing 31. She was the Breeden Eminent Scholar at Auburn University, fellow at the University of California, San Diego, Center for Humanities, and received a Sistema Nacional de Creadores grant from Mexico, among other honors. Rivera Garza has also developed cross-genre collaborations with composers and artists, and published extensively in journals and edited volumes.
Rivera Garza’s Academy project “The Solanum Tuberosum Diaries” is a creative nonfiction book about the demise of potato cultivation in the Valley of Toluca in central Mexico—specifically on the slopes of Nevado de Toluca, a sacred mountain where indigenous and mestizo populations have intermingled for ages, which occurred at the start of the twenty-first century. The book draws on documents from the National Institute of Agricultural Research, where her father worked as a plant-breeding expert, including the field notes from his collecting expeditions in the Mexican countryside. Rivera Garza explores the idea of “solastalgia”—the mourning for worlds lost to climate change—as she recounts this personal and collective experience. In Berlin, she plans to investigate archival holdings about the role of German agronomists in the surge of potato production in late twentieth-century Mexico. German scientists were central figures in the wild potato collecting expeditions that constitute the basis of her book. Rivera Garza also plans to visit European herbariums and germplasm banks to expand and deepen the scope of her project.

Meet Cristina Rivera Garza
A short portrait filmed at the Hans Arnhold Center, introducing the work and ideas behind fellows’ projects in Berlin.
Upcoming events
Discover what’s coming up in the Academy’s public program this semester.
Past events
Lectures, readings, and conversations from the Academy’s public program.

The Breath Archives: Affective Documents, Collective Memory, and the Afterlives of Femicide
In “Liliana’s Invincible Summer,” Cristina Rivera Garza tapped family documents to tell the story of her younger sister’s 1990 femicide.
Berlin Journal Articles
Essays, interviews, and creative work published in the Academy’s annual magazine.
Books
Books written by fellows of the Academy, many begun during a semester in Berlin.
Videos
Lectures, readings, and conversations filmed at the Hans Arnhold Center.
The Breath Archives: Affective Documents, Collective Memory, and the Afterlives of Femicide
Cristina Rivera Garza explores the ways in which her late sister’s personal papers breathe new life into the “archives of breathlessness” that undergird state and patriarchal violence.
Fellow Spotlight: Cristina Rivera Garza
Cristina Rivera Garza’s most recent book is “Liliane’s Invincible Summer: A Sister’s Search for Justice,” which plumbs the depths of her late sister’s writings.




