Amy Kurzweil is a cartoonist and writer. She received her BA from Stanford University and MFA from The New School. Kurzweil is the author of the graphic memoir Flying Couch (Catapult, 2016), named a 2016 New York Times Editor’s Choice and a Kirkus Best Memoir of 2016. Her comics appear regularly in the New Yorker, The Believer, Journal of Alta California, and elsewhere. Her prose has appeared in Longreads, Literary Hub, The Toast, Hobart, Shenandoah, and other publications. Kurzweil’s work has been supported by the Black Mountain Institute, McDowell, and Djerassi. She teaches widely.
At the Academy, Kurzweil will work on her second book, “Artificial: A Love Story” (forthcoming
with Catapult), which she calls “a graphic memoir about the future of the past.” While “Flying Couch”
was about the transmission of memory and trauma across three generations of women in her
family, starting with her maternal grandmother’s escape from the Warsaw Ghetto and survival of
the Holocaust, “Artificial” will explore her father’s lineage and their Viennese roots. Ray Kurzweil,
Amy writes of her father, “is an introverted intellect with a penchant for dad jokes and big
dreams.” He is renowned for popularizing the term “The Singularity,” which refers to a theoretical
future when technology will merge with humanity, heralding the promise of utopic, immortal life.
In “Artificial,” Amy is interested in her father’s ambition to “resurrect” his own father, Frederic
Kurzweil, a Viennese musician who narrowly escaped the Holocaust and died of heart disease at
58. Ray has kept a storage unit full of his father’s letters, notes, photos, news clippings, and musical
scores. Enlisted to help build a chat bot with these documents as source material, Amy becomes
immersed in the life of a grandfather she never knew, a story of artistic passion shadowed by loss.
Through this project, and a deepening relationship with her partner, a moral philosopher with a
genetic heart condition, Amy confronts her own orientation to close personal relationships and
mortal vulnerabilities. While her father uses algorithms to immortalize the past, Amy recreates
people in virtual spaces through drawing. “’Artificial’ explores how these varying modes of
preservation relate to love, attachment, and anxiety about loss,” she writes. “The book is a metameditation
on memory, an investigation into why and how we document our lives, what that
process looks like today, and what it might look like tomorrow.”

Meet Amy Kurzweil
A short portrait filmed at the Hans Arnhold Center, introducing the work and ideas behind fellows’ projects in Berlin.
Upcoming events
Discover what’s coming up in the Academy’s public program this semester.
Past events
Lectures, readings, and conversations from the Academy’s public program.

Artificial: A Love Story
How art and technology can deepen our quest for meaning and connection.

The Art of Graphic Resurrection
Cartoonist Amy Kurzweil shares her approach to the graphic memoir.
Berlin Journal Articles
Essays, interviews, and creative work published in the Academy’s annual magazine.
Books
Books written by fellows of the Academy, many begun during a semester in Berlin.
Videos
Lectures, readings, and conversations filmed at the Hans Arnhold Center.
Artificial: A Love Story
New Yorker cartoonist Amy Kurzweil presents her new book, “Artificial: A Love Story,” about the creation of an AI chatbot of her paternal grandfather.
Fellow Spotlight: Amy Kurzweil
Amy Kurzweil discusses her second book, “Artificial: A Love Story,” which she calls “a graphic memoir about the future of the past.”
Graphic Memoirs and the Art of Resurrecting the Past
Amy Kurzweil shares excerpts from her forthcoming book, “Artificial: A Love Story.”




