Adam Ross, Mary Ellen von der Heyden Fellow in the fall 2014, gives a reading of his novel in progress, "Playworld", which draws on his experiences as a child actor.
The American Academy in Berlin welcomed its thirty-third class of fellows at the Hans Arnhold Center on September 18, 2014.
In his book The Zero Marginal Cost Society (Campus, 2014), social theorist Jeremy Rifkin argues that capitalism is becoming a victim of its own success: machines powered by alternative energies are undermining our sense of private property, taking away jobs, and turning consumers into free agents in a global “sharing economy.”
C. Fred Bergsten argues that Germany has an overwhelming number of reasons to make sure the euro succeeds, and that the Eurozone holds together through the crisis.
Jules Feiffer’s graphic novel Kill My Mother (W.W. Norton, August 2014), reaches back to his first obsessions, and it launches him into a form of graphic expression he says he was unable to find until the age of 80
Writer Jonathan Lethem reads from sections of his highly-acclaimed novel Dissident Gardens, depicting Miriam Zimmer as a teenager and after first making contact with her estranged father.
United States Supreme Court Justice Sonia Sotomayor talks about her journey from social housing in the Bronx to the bench of the United States Supreme Court.
New Yorker staff writer and spring 2014 fellow George Packer reads from his National Book Award-winning account of American change over the last fifty years, The Unwinding.
George Rupp, former president and CEO of the International Rescue Committee, examines the tension between traditional religious conviction and modern secular individualism.
Robert Smith, the co-chief art critic of the New York Times and, Isabelle Graw, the founding editor of Texte zur Kunst and a professor of art history and theory at Berlin’s Hochschule für Bildende Kunst, discuss the role and purpose of art criticism.