Adam Kraft's sculptures provide the basis for art historian Corine Schleif's discussion of how art has participated in religious rituals, economic developments, art-historical debates, political decision-making, and military strategies through the centuries.
Michèle Lowrie, Professor of Classics and the College, University of Chicago, notes that Securitas first occurs in Cicero meaning "tranquility," in a strictly psychological sense. A century later the "security of the Roman Empire" had become a political slogan.
Architectural historian Spyros Papapetros’s lecture focuses on the theorization of bodily adornment by Emil Selenka, renowned evolutionist and anthropologist, and his wife, Lenore Selenka, a prominent feminist, pacifist, zoologist, and amateur anthropologist.
Classicist Michèle Lowrie’s current research concerns Roman political thought and its reception, including projects on exemplary thinking, civil war, and transformations in the public sphere. In her Academy project, Lowrie explores the Roman sources of concepts that are key to post-9/11 concerns about “national security” and “emergency.”
Spyros Papapetros’ project “World Ornament” examines bodily and architectural adornment in the work of the German architect Gottfried Semper (1803-1879), who understood ornament as a means of attuning humans with the cosmos.
Interviews with writer and Holtzbrinck Fellow Mary Cappello, medical historian and Anna-Maria Kellen Fellow Monica Green, historian and Siemens Fellow Robin Einhorn and writer and Mary Ellen von der Heyden Fellow Anthony Marra.
University of Chicago Divinity School professor Wendy Doniger, one of the world’s foremost authorities on ancient Indian texts, seeks to restore the Kamasutra to its proper place in the Sanskrit canon.
Philosopher Moishe Postone seeks to fundamentally rethink the core categories of Marx’s critique of political economy in the fall 2015 Ellen Maria Gorrissen lecture.
Evgeny Morozov articulates a way to put the Internet of Things to more humane and citizen-focused use.
Architectural historian Beatriz Colomina discusses how modern architecture, launched by an international group of avant-garde architects in the 1920s, has usually been understood in terms of functional efficiency, new technologies of construction, and the machine aesthetic.