Philippe de Montebello

Stephen M. Kellen Distinguished Visitor - Class of Spring 2007

Director, Metropolitan Museum of Art

Current Location: New York

Biography

Philippe de Montebello is the longest-serving director in the distinguished history of the Metropolitan Museum of Art. Under his directorship, the Metropolitan Museum has nearly doubled in size to two million square feet and significant renovations are underway in the Greek, Roman, and Etruscan galleries, as well as of the American wing and the expanded nineteenth-century galleries. During his tenure, de Montebello has overseen important decisions such as the recent acquisition of "Madonna and Child" by the Renaissance master Duccio di Buoninsegna and the resolution to return a dubiously acquired precious Greek vase known as the Euphronius krater to Italy. In the words of the Financial Times, de Montebello's intuition and foresight as director have "successfully achieved a fusion of the curatorial and fiscal management streams." De Montebello was educated at the Lycée Français in New York, where he received his baccalauréat in 1958. He continued his studies in art history at Harvard University, graduating magna cum laude, before entering New York University's prestigious Institute of Fine Arts under French Renaissance art expert Charles Sterling. De Montebello stopped short of receiving his doctorate when, in 1963, he was given the opportunity to work for the Met as a curatorial assistant in the Department of European Paintings. Thus began his career at the institution to which he was to dedicate his entire professional life, with the exception of a four-and-a-half-year interim (1969-1974) as director of the Museum of Fine Arts in Houston, Texas. In 1991 France crowned Philippe de Montebello a Chevalier de la Légion d'Honneur. His adopted home country followed suit by awarding him the National Medal of the Arts in 2002.

Lecture Summary

Published in Arts and Culture

Whose Culture Is It? Museums Purchasing Antiquities

Few would contest that the art museum’s most important function is preserving and displaying works of art that "embody the deepest aspirations of a time and place." Yet the provenance of these precious objects and the process by which they are acquired is often murky. It is no secret that many great works of antiquity are available for the public to see because they were at some earlier point looted from their point of origin.

However, the study of these works has added considerably to our collective knowledge of art and the environment in which it was created.

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