Alumni News

Alumni News
Wednesday, February 01, 2012

January 2012

Katherine Boo's exquisite new book Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity is forthcoming from Random House on February 15; her US book tour is bound for a venue near you; Stanley Corngold's project from fall 2010 came to fruitition in 2011 in three publications: The Sufferings of Young Werther (a new translation), Franz Kafka: The Ghosts in the Machine (co-written with Benno Wagner), Kafka for the 21st Century (co-edited with Ruth V. Gross); Nathan Englander's What We Talk About When We Talk About Anne Frank is forthcoming February 7; Elizabeth Povinelli's co-produced short film "Karrabing! Low Tide Turning" entered the Berlinale 2012 Shorts Competition; Alex Ross received the 2012 Belmont Prize, awarded by the Forbeg-Schneider Stiftung.

Monday, January 02, 2012

December 2011

Publications: Derek Chollet's and Samantha Power's The Unquiet American (Public Affairs, 2011) about Richard C. Holbrooke; Nathan Englander's What We Talk About When We Talk About Anne Frank (Knopf, 2012); George Packer on US inequality and social decline and Nicholas Eberstadt on Russia's population crisis, both in Foreign Affairs; and Adam S. Posen on the global economy in the New York Times. Francisco Goldman received the Prix Femina Étranger for his New Yorker piece "The Wave"; Alex Ross will receive the 2012 Belmont Prize in contemporary music on Jan. 26 in Munich; Anne Applebaum is the new political studies director at the Legatum Institute in London; Amy Sillman's works are on show at Galerie Capitain Petzel in Berlin until Dec. 23; Reynold Reynolds's exhibition “The Lost: Film performances” is on display at Galerie Zink in Berlin until Jan. 14; Dave McKenzie's exhibition “Citizen” is at Wien Lukatsch Gallery in Berlin until Jan. 27;  and W.J.T. Mitchell delivers the lecture "The Historical Uncanny: Phantoms, Doubles, and Repetition in the War on Terror" at C|O Berlin, Oranienburger Str 35, on Dec. 2, 7:00 pm.
Thursday, December 01, 2011

November 2011

Publications: Kenneth Gross's Puppets (University Of Chicago Press); Ha Jin's Nanjing Requiem (Pantheon Books); Julie Mehretu's first artist book Poetry of Sappho (Arion Press, Nov. 2011); Jeffrey Eugenides's The Marriage Plot (Die Liebeshandlung, Ullstein Verlage) published in German; Amy Waldman discussing The Submission (Farrar, Straus and Giroux, 2011) on PBS Newshour. Norman Manea receives the Nelly Sachs Preis, awarded by the city of Dortmund; Alex Katz's exhibition "Cool Prints" is on view at the Jüdisches Museum Frankfurt through January 8; Jenny Holzer will be featured in the "Moving Types - Lettern in Bewegung“ exhibition at the Gutenberg-Museum in Mainz, October 21 through April 22; Laura Owens on show at the Kunstmuseum Bonn until January 8; and composer Sean Shepherd discussing his work on KNPB/PBS.

Tuesday, November 01, 2011

September / October 2011

Amy Waldman's The Submission (Farrar, Straus and Giroux, 2011) reviewed in the New York Times; historian Hope M. Harrison's Ulbrichts Mauer - Wie die SED Moskaus Widerstand gegen den Mauerbau brach (Propyläen Verlag, 2011) reviewed in Süddeutsche Zeitung; James Wood's Die Kunst des Erzählens (Rowohlt, 2011) reviewed in Frankfurter Allgemeine Zeitung; W.J.T. Mitchell's Cloning Terror: The War of Images, 9/11 to the Present published by University of Chicago Press, 2011; a Romanian publisher releases a bi-lingual volume (Romanian-English) In Honorem Norman Manea - The Obsession of Uncertainity (Polirom, 2011); Parag Khanna, on "Why China Wants a G-3 World" in the New York Times; Kirk Johnson's "We Can't Abandon Iraqis Who Aided the US" in the Washington Post; and George Packer reflects on the decade after 9/11 in the New Yorker. Xu Bin's "Where Does the Dust Itself Collect?" exhibition at the Spinning Wheel, New York (Sept. 8 through Oct. 9); "Cool Prints" by Alex Katz is on show until Jan. 8, 2012, in the Jüdisches Museum Frankfurt; Laura Owens opens her exhibition at Kunstmuseum Bonn on Sept. 22; and Mitch Epstein has been shortlisted again for the Prix Pictet prize.

Monday, August 01, 2011

July 2011

Publications: Historian Hope Harrison’s Ulbrichts Mauer: Wie die SED Moskaus Widerstand gegen den Mauerbau brach (Propyläen Verlag, 2011); Jonathan Safran Foer’s Extremely Loud and Incredibly Close was adapted into a play and performed on June 18 in Frankfurt am Main; and historian and Academy Trustee Caroline Walker Bynum was awarded the Medieval Association of American's Haskins Medal for 2011 for her book Wonderful Blood: Theology and Practice in Late Medieval Northern Germany and Beyond (University of Pennsylvania Press, 2007); the New Yorker featured conributions by Jeffrey Eugenides, entitled "Summer Fiction," and by Donald Antrim, entitled "He Knew." Sculptor Aaron Curry, photographer Mitch Epstein, and painter Sarah Morris are participating artists of "Internal / External Affairs," a temporary art project at the residence of US Ambassador Philip D. Murphy in Berlin, in cooperation with the American Academy and DAAD; Reynold Reynolds curated “Alive She Cried,” a film and video exhibition at the Galerie Zink in Berlin (ends July 2); Alex Katz's solo exhibition "Face the Music" on show at Galerie Thaddaeus Ropac in Salzburg (ends July 16).

Friday, July 01, 2011

June 2011

Author Gary Shteyngart received the Bollinger Everyman Wodehouse prize for comic fiction for his novel Super Sad True Love Story; filmmaker Terrence Malick was awarded the Golden Palm at the Cannes Film Festival for his film The Tree of Life; Maya Lin received the Rachel Carson Award from the National Audubon Society for her work as an artist, architect, and environmentalist; Artist Patty Chang exhibits at the Galerie Rüdiger Schöttle in Munich from May 20 to June 25; artist Chuck Close's self-portraits are on display April 29 through June 4 at a solo exhibition at the Galerie Haas & Fuchs in Berlin; photographer Mitch Epstein's Berlin (Steidl & Partners) is published this June.