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The Munich Security Conference Supplement
The 48th Munich Security Conference will take place at the Bayerische Hof in Munich from February 3rd to 5th, attracting a smattering of the world's top strategic defense thinkers and policy makers to discuss the most pressing topics confronting the defense policy world. »
The American Academy in Berlin Launches New Website
The American Academy in Berlin re-launched its website after six months of close collaboration with the talented programmers and designers of the Berlin-based agency Compuccino. Over the last few years, the Academy's online presence has become an increasingly important aspect of our work vis a vis the Academy's public program and blog, online media archive, press releases, alumni outreach, and social media; this new site better enables visitors to explore the Academy's offerings, history, and fellowship opportunities. »
What Germans Do Not Understand about America
One day after President Obama's State of the Union address, Philip D. Murphy, the US Ambassador to Germany, was at the American Academy to deliver a lively and wide-ranging lecture on "What Germans Do Not Understand about America." Americans are at root an optimistic people, Murphy noted, regardless of the nation's current economic condition. Most Americans, now as before, he said, feel that the future will be better than the past. »
Announcing the Spring 2012 Fellows
A festive January 17 evening welcomed the spring 2012 Berlin Prize Fellows to their semester on the Wannsee. Opening remarks were delivered by the United States Ambassador to Germany, Philip D. Murphy, and the welcoming talk by Klaus Reichert, honorary president of the Deutsche Akademie für Sprache und Dichtung, in Darmstadt. The American Academy in Berlin is proud to welcome the following scholars, writers, and artists to work on their respective projects at the Hans Arnhold Center over the coming five months: »
Voices in the Dream Palace: Dramatic Language in Pre-Code Movies
The films made during the half decade between 1929-1934 mark the triumph of the talking picture format, which began in 1927 with Al Jolson's Jazz Singer. Films of the early talkie era were the product of a culture ravaged by the Depression, a growing sense of liberated cynicism, and, most importantly for Geoffrey O'Brien, a Bosch Fellow at the Academy, an environment prior to the enforcement of the Production Code, a statute that regulated what could be said and seen on film. »









